Techno Vinyl New Releases

Scott Monteith makes his debut on Berlin's own Bright Sounds under his DEADBEAT alias, bringing three unreleased dub tracks steeped in the deep, cavernous low end he's known for. A pioneer of the Canadian dub techno scene, DEADBEAT has spent over two decades shaping the genre's darker, more spacious corners, and this EP marks a fitting first outing for the label. Pressed in a strictly limited deep blue vinyl edition, it's a must for collectors and dub heads alike.

2026 Repress

2026 Repress

After a three year break, Blawan and Pariah’s Voam is back with “Piranha Pop”, a new EP from Rhyw. From the teeth rattling madness of “Suppli Crush” to the slinky oddness of the title track, these four tracks explore and push up against the outer fringes of techno music and mark a worthy follow up to his previous release on the label, 2022’s acclaimed “Honey Badger”.

After inaugurating Saibai with the Samurai Music sub label's first release in 2025, Brendon Moeller returns with a new six-track excursion into the realm of splintered dubwise electronics. 侍栽培六 arrives alongside a partner release on Samurai Music, offering a subtle distinction of expressive, internal reflections that widen the landscape of Moeller's unique, prolific take on experimental soundsystem music. There are codes of classic dub that creep through the moody hinterland shaped out across these new works, and they inject warmth into the relatively forbidding atmospheres Moeller shapes out with eerie drones and chasmic reverb decays. The bassline on 'Disintegration Suite' has a steppas-like propulsion begging out for a mammoth rig loaded with heavyweight subs, while 'Fate's Rhythm' bristles with skeletal percussion rattling in the middle distance. 'Signal Path's synthetic murmurs of melodica and liberal spring reverb come straight from the Perry-Tubby school of sound sorcery. Of course, these ancient inflections are only part of the picture. Moeller's affinity for head-nodding half-time immersion and tense scene-setting define 'Dislocation' while his techno instincts guide the psychoactive arps modulating through 'Magnetic Sleep'. Every track has its own nuanced complexities, reference points and alchemical fusions bedded into a cohesive, brooding universe of sound that exponentially expands around his studio. Alongside the steely structures of Codebreaker, 侍栽培六 adeptly pushes at the observable edge as he leads us into unexplored space.

LUCIANO LAMANNA — A CARLO Blackwater Label — 2026 Distributed by Triple Vision More than ten years in the making, A CARLO is a single-sided EP by Luciano Lamanna for Blackwater Label, dedicated to Carlo Giuliani and to the memory of the events that unfolded during the G8 protests in Genoa in 2001. This record is the result of a long process, one that began more than a decade ago and has remained unfinished until now. Two tracks, both carrying the name and memory of Carlo, finally complete a circle that has been open for years. The first track, “Il Giorno del Sole”, was previously released on physical CD through Blackwater Label. The second, “Amore Infinito”, arrives more than ten years later, completing the dialogue between the two pieces and giving the project its long-awaited counterpart. Together, the tracks form a deeply emotional and personal statement: melancholic, haunting and at the same time driving and hopeful. Lamanna moves through the industrial language that has always characterised his work, while “Amore Infinito” explores a darker, more intimate territory, evoking the emotional intensity of Coil. A CARLO is not intended as a historical reconstruction or a conventional political statement. It is an act of memory.

For Blackwater Label, memory is political. For more than twelve years, Blackwater has built its identity around what we call Socialismo Sonoro: a way of understanding music and cultural production as a space for autonomy, resistance, collective consciousness and taking a position. We have never been interested in remaining neutral when the reality surrounding us contradicts the values we believe in. This record belongs entirely to that vision. Putting this record out today means continuing to pronounce the name Carlo. Keeping a memory alive. Refusing to allow silence to become the final form of history. Blackwater continues to expose itself, in its own way, through music, without claiming to speak for anyone else, but accepting the responsibility to say what it believes needs to be said. A CARLO is therefore both a tribute and a continuation: a record born from grief, transformed through sound, and ultimately directed towards memory and hope. CREDITS: Written, produced, mixed & mastered by Luciano Lamanna Released by Blackwater Label © 2026 Blackwater Label Distributed by Triple Vision N·C·V·A·F Nvmqvam Cede // Vsqve Ad Finem

Tooflie's anonymous archivists return for another trip through the past, this time leaving geography behind for the unruly musical landscape of the 1980s. Four edits bring together the creme de la creme of Polish rock, Danish new wave, Soviet avant-garde and Georgian synth-pop, giving each source a fresh dancefloor angle while keeping what made the original so distinctive. A Balearic rework, an Hi-NRG treatment and two more leftfield interventions turn these unlikely archival finds into records that work just as well at home as they do on a larger system. The original records behind these edits are notoriously hard to find, making Tooflie 008 a rather useful detour for diggers and collectors, as well as anyone with a soft spot for overlooked musical oddities.

This album is a personal diary, assembled from fragments of different chapters of a life. It took shape over five years and holds everything: inspiration and pain, hope and anxiety, light and darkness.

Some of the tracks were written at the height of the pandemic, when the world stood still in uncertainty. Others came in a darker, more restless time, during the war, when every feeling cuts deeper, and music becomes the only way to say what words cannot.

Each track is a moment frozen in time. Together they form a journey through inner states in which every listener may recognize themselves. This album isn’t about genres or trends. It’s about a life lived in music.

Continuing his compelling exploration of dubwise pressure at 170, the relentlessly prolific Brendon Moeller returns to Samurai Music with six stunning demonstrations of purposeful minimalism and spatial intrigue. Arriving in tandem with a second EP of introspective meditations on Samurai sub label SAIBAI, Codebreaker finds Moeller's peerless run of shadowy broken dub techno yielding startling new forms as the upstate New York artist continues to mine a rich seam of inspiration.

There's a pronounced economy of sound exacted on Codebreaker that binds the tracks together aesthetically, taken to the furthest reaches of subtlety on 'Dorian Grey Frequencies' as filigree slithers of percussion skitter across a brooding surface of sub bass with little in the way of distraction. This approach allows the microscopic detail of Moeller's engineering to shine through, as every inflection and murmur crackles with lithe movement to give each track its captivating energy.

Fractured beatdowns creep into earshot on 'Static Possession', edging towards Gescom-informed B-boy structures head-spinning in cryo-stasis surrounded by the hum of machines from a distant future and punctuated with occasional bullet points of delay soaked acid. Even when the bass starts to snarl and the hi-hats start ticking faster on 'Interzone Pulse', they're managed with brutal precision and a narrative flow of anti-build-ups that maintains a nail-biting tension throughout.

The decision to lean into a stripped-back sound on Codebreaker shows the faith Moeller places in his particular interpretation of bassweight 170, as his jaw-dropping sound design speaks volumes with the most modest of lexicons in a dialect never heard before.

DJ Support: Kenny Larkin, Francois Kevorkian, Laurent Garnier, Ben UFO, Joseph Capriati, Fra Soler, Carista, Slam, Uncertain, DJ Bone, Christian Smith, Anthony Pappa, Radio Slave, Alienata, Marco Faraone, Christian Varela, James Zabiela, Anika Kunst, Carlos Valdes, Ame, Pushmann and Chris Fortier

Vince Watson Announces ‘The Force’, to launch his forthcoming 30 year compilation VW30 Introspection II.

As the build up to Vince Watson's huge forthcoming VW30 Introspection II compilation begins, the Scottish born Amsterdam based Artist releases a new track, a huge track 'The Force' as the exclusive.

Building on his Detroit inspired heritage and mixed with his energy infused Dancefloor material, 'The Force' is a monster.

With hints and shades of E-dancer with its big baselines, this track is sure to rip up some dancefloors.

Backing this up on the vinyl only, is Bon Voyage and Towards The Light, 2 tracks originally from the Via LP and featuring on vinyl for the first time.

Over the last 30 years, Vince Watson has produced some of the standout tracks of underground house and techno culture, from ‘Eminesence’ to ‘Aurelon’ to 'Mystical Rhythm’ and the new summer hit ‘The Awakening’ and has worked with some of the most renowned artists and labels to ever grace the scene.

To celebrate this incredible milestone and respect this legacy, Vince Watson is announcing a new compilation album showcasing new versions of some of the classics from his catalogue over the last 3 decades.

Built for the floor. Decka's Havoc EP shapes weight and density into a pressurized, moving force.

As part of the 20 Years of BM anniversary celebrations, Bondage-Music proudly presents Bondage Games Pt. 11 — a special five-part vinyl series. Each release is named after a constellation, together forming a unique tribute to two decades of Bondage-Music.
With Bondage Games Pt. 11, the label's iconic vinyl series returns in its most ambitious edition to date. Created to celebrate 20 years of Bondage-Music, the series unfolds across five constellation-themed releases, each featuring four exclusive productions from artists closely connected to the label.
The first chapter, Ursus, brings together four exclusive tracks from Roger Gerressen, Sascha Dive, Rhadow and Lola Palmer. From Roger Gerressen's hypnotic groove-driven Patterned Shards and Sascha Dive's unmistakable deep house craftsmanship on Dub Chronicles #10 to Rhadow's atmospheric Ripples and Lola Palmer's warm and emotional Slow Down, the record perfectly reflects the timeless musical identity that has defined Bondage-Music since day one — deep, soulful, groove-focused and made for both intimate listening and late-night dancefloors.
Pressed on heavyweight 180g vinyl and housed in an individually printed sleeve, Ursus continues Bondage-Music's longstanding commitment to exceptional quality in both music and design. The artwork was created by BM's longtime Head of Artwork, Pete Bombart — a close friend and an integral part of the label since its earliest days. His unmistakable visual language has become inseparable from the Bondage-Music identity, earning a loyal following far beyond the music itself.
Whether collected as part of the complete anniversary series or enjoyed on its own, Bondage Games Pt. 11: Ursus is a celebration of the artists, the friendships and the unmistakable sound that have shaped Bondage-Music over the past twenty years.

As part of the 20 Years of BM anniversary celebrations, Bondage-Music proudly presents Bondage Games Pt. 11 — a special five-part vinyl series. Each release is named after a constellation, together forming a unique tribute to two decades of Bondage-Music.
With Bondage Games Pt. 11, the label's iconic vinyl series returns in its most ambitious edition to date. Created to celebrate 20 years of Bondage-Music, the series unfolds across five constellation-themed releases, each featuring four exclusive productions from artists closely connected to the label.
The first chapter, Ursus, brings together four exclusive tracks from Roger Gerressen, Sascha Dive, Rhadow and Lola Palmer. From Roger Gerressen's hypnotic groove-driven Patterned Shards and Sascha Dive's unmistakable deep house craftsmanship on Dub Chronicles #10 to Rhadow's atmospheric Ripples and Lola Palmer's warm and emotional Slow Down, the record perfectly reflects the timeless musical identity that has defined Bondage-Music since day one — deep, soulful, groove-focused and made for both intimate listening and late-night dancefloors.
Pressed on heavyweight 180g vinyl and housed in an individually printed sleeve, Ursus continues Bondage-Music's longstanding commitment to exceptional quality in both music and design. The artwork was created by BM's longtime Head of Artwork, Pete Bombart — a close friend and an integral part of the label since its earliest days. His unmistakable visual language has become inseparable from the Bondage-Music identity, earning a loyal following far beyond the music itself.
Whether collected as part of the complete anniversary series or enjoyed on its own, Bondage Games Pt. 11: Ursus is a celebration of the artists, the friendships and the unmistakable sound that have shaped Bondage-Music over the past twenty years.

Cologne based DJ and producer Barnt has been bottling his own weather system since 2010: captivating techno where melodies flirt, rhythms evaporate, and structure is something to tease rather than obey. An attitude, that pierces the average definition of techno. With an album and endless EP’s, he turned club orthodoxy inside out. Barnt has sent his tracks out via labels like Cómeme, Mule Musiq, Hinge Finger, Hivern Discs, Kompakt, or Magazine from Cologne, the enterprise he co-runs with a bunch of friends.

After his 2014 debut album on Magazine, that came out as catalogue number 13, Barnt is back with number 25, a new album, titled “After completing the Hex”. Eleven tracks, each grinding lowkey skewed. This is techno for dramatic entrances. Dance music for confusion. Freely played chords oscillate with intention. Alluring melodies glide across stoic beats. Peaktime vibes stripped to the bone. An album that provides Barnt’s most complete release until today, displaying his unique sound world effortless assembled. Mastered by longtime accomplice, producer Matt Karmil, it features playful, seemingly unintentional, meandering club spirits. There are melodies made from 100 notes and hooklines fashioned from just one. In-between calmer electric enchanters, minimal, free-spirted, tempting. His slinky madness occasionally presents sublimely embedded environmental sounds or oral samples, taken from sources like Torn Hawk’s “Trustfall” TTT cassette album. There is a touch of sadness, that veils the recordings at times, always defied by lightness and optimism. A record made with true inspiration, that overrides all fears. Drawn frankly from emotions, bringing the ultimate flow state, that unlocks a new techno gate.